Let me start from the end. My last day in Paris this past vacation found me sitting at the bottom of the long staircase at Montmartre, crying my eyes out with the beautiful Sacré-Coeur Basilica in view at the top of the hill.
When I recounted this story to my friend a week later, back in our routine of Tuesday lunch in New York, he laughed and said, “That’s so Parisian!”
I had to laugh. I know he didn’t mean it in an unsympathetic way, and I wasn’t in an emotional state at that point. I guess it was quite an image. I hadn’t seen it from his perspective since I could hardly see through my own tears while living it.
No, I hadn’t fallen down the stairs of the Sacré-Coeur. I had had an unexpected negative interaction with a close friend, and in that moment, it knocked the wind out of me and seemed to put a damper on my whole trip, which upon reflection during my flight back to the States, had actually been full of beautiful and fun and pleasant moments in addition to the disappointing and frustrating ones.
Some vacation, eh?
I have traveled quite a bit, and I realize that my experience on this trip was due in part to my ties in France, which have loosened from being away but are still rooted. Ever evolving and changing but still existent. I was coming back to a place where I have history, a place that I love where people I love live, but once in a while who and what you love can hurt you.
From what I’ve seen, most expats and immigrants have a multifaceted relationship with their adopted country. It is enriching and spectacular and difficult and challenging to make one’s life in another culture. I admire those who do so to escape a precarious political situation, for their safety, or for a better life. When I moved to France, it was just for myself, and indeed there were still hard moments. I know that I was lucky in that despite the frustrations of applying for visas and getting paperwork through and dealing with administrative systems, I had a country to come back to where I have citizenship and the right to work.
Let’s go back to the bottom of the staircase. I thought of calling someone to talk to. Who would be available back in the States? Mon copain ? I considered. I wasn’t going to call my friends in France, who would be at work. As I sat there, lo and behold, a French friend called me to ask how my trip was going. The poor guy, who was probably expecting me to tell him I was gallivanting around Paris eating pastries, got a blubbering explanation of my tears. He gave me some words of strength and insight and comfort, and after patiently listening to me a little more, kindly told me that he had to get back to his meeting and that he would call me that night. He had phoned me during a break and they were waiting for him.
I contemplated what to do next. Nearby, a girl started to play the piano that was set up at the base of the staircase. It was composer Yann Tiersen’s song from “Amélie.”
If you’ve watched “Amélie” starring Audrey Tautou, you will know why. There is a scene in this classic film where a character runs up this very staircase. We are held in suspense along with him as he darts up to the top, wondering and hoping to find what he is seeking. I love this song in general, and to hear it here—well, I hope you can imagine. It was the stuff of dreams.
Paris, what you do to me.